{"id":511,"date":"2022-10-23T22:08:27","date_gmt":"2022-10-23T22:08:27","guid":{"rendered":"https:\/\/laleshkasalassalazar.com\/?p=511"},"modified":"2024-02-03T17:25:04","modified_gmt":"2024-02-03T17:25:04","slug":"zone-transitoire","status":"publish","type":"post","link":"https:\/\/laleshkasalassalazar.com\/?p=511","title":{"rendered":"THE MELODY OF SPEECH"},"content":{"rendered":"\n<p class=\"has-small-font-size\">Film and Performance project directed by Benjamin Loyaut\u00e9, 2022.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Defined by the poetry of the ordinary, the work of Benjamin Loyaut\u00e9 depends on the activation of his works, the mutual coupling of sculpture and performance in order to exist. Here, the performance potential is marked by the physical presence of a sculptural circular base, which itself can only be read as such through the implicit presence of the objects that complete it or of an interpreter performer who could stand on it. Rather than thinking of sculpture and performance as diametrically opposed, Loyaut\u00e9 imagines them as \u201cactants\u201d that come together to form a living and dynamic whole that invites experience and engagement.\u00a0<em>The Melody of Speech<\/em>\u00a0relocates our atention and imagines a dubplate, a psalm that is both frank and poetic sometimes delivered at light speed, oen mixed with punk surrealism and invisible street music, chiseled like his sculptures of meditations composed of signs, traces of birds or sacred germinations. (\u00a9 RUBIS M\u00c9C\u00c9NAT)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Teaser - The Melody of Speech - Benjamin Loyaut\u00e9, 2022\" src=\"https:\/\/player.vimeo.com\/video\/747653413?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:97px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"845\" height=\"684\" src=\"https:\/\/laleshkasalassalazar.com\/wp-content\/uploads\/2024\/02\/TOI.jpg\" alt=\"\" class=\"wp-image-568\" style=\"width:756px;height:auto\" srcset=\"https:\/\/laleshkasalassalazar.com\/wp-content\/uploads\/2024\/02\/TOI.jpg 845w, https:\/\/laleshkasalassalazar.com\/wp-content\/uploads\/2024\/02\/TOI-300x243.jpg 300w, https:\/\/laleshkasalassalazar.com\/wp-content\/uploads\/2024\/02\/TOI-768x622.jpg 768w, https:\/\/laleshkasalassalazar.com\/wp-content\/uploads\/2024\/02\/TOI-500x405.jpg 500w\" sizes=\"auto, (max-width: 845px) 100vw, 845px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Film and Performance project directed by Benjamin Loyaut\u00e9, 2022. Defined by the poetry of the ordinary, the work of Benjamin Loyaut\u00e9 depends on the activation of his works, the mutual coupling of sculpture and performance in order to exist. Here, the performance potential is marked by the physical presence of a sculptural circular base, which [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-511","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=\/wp\/v2\/posts\/511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=511"}],"version-history":[{"count":2,"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=\/wp\/v2\/posts\/511\/revisions"}],"predecessor-version":[{"id":569,"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=\/wp\/v2\/posts\/511\/revisions\/569"}],"wp:attachment":[{"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laleshkasalassalazar.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}